॥ ॐ नमो भगवते वासुदेवाय ॥
॥ पञ्चविंशोऽध्यायः - २५ ॥
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Discourse XXV
Introductory part of the parable of Purañjana (Preamble)
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मैत्रेय उवाच ।
इति सन्दिश्य भगवान् बार्हिषदैरभिपूजितः ।
पश्यतां राजपुत्राणां तत्रैवान्तर्दधे हरः ॥ १॥
रुद्रगीतं भगवतः स्तोत्रं सर्वे प्रचेतसः ।
जपन्तस्ते तपस्तेपुर्वर्षाणामयुतं जले ॥ २॥
प्राचीनबर्हिषं क्षत्तः कर्मस्वासक्तमानसम् ।
नारदोऽध्यात्मतत्त्वज्ञः कृपालुः प्रत्यबोधयत् ॥ ३॥
श्रेयस्त्वं कतमद्राजन् कर्मणाऽऽत्मन ईहसे ।
दुःखहानिः सुखावाप्तिः श्रेयस्तन्नेह चेष्यते ॥ ४॥
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Maitreya continued : Having thus instructed the Pracetās (the sons of Barhiṣad), and duly worshipped by them, Lord Śiva (the Destroyer of the universe) disappeared on that very spot, while the princes stood gazing. (1)
Repeating the hymn of praise to the Lord, sung by Śrī Rudra (the god of destruction), all the Pracetās practised austerities for a myriad years; standing in water. (2)
(In the meantime) O Vidura, the sage Nārada, a knower of the truth of the Spirit and compassionate by nature, admonished (their father) Prācinabarhi, whose mind was attached to rituals, (as follows). (3)
"What good, O king, do you seek for yourself through rituals? (True) welfare lies in the cessation of sorrow and the attainment of happiness, and such welfare is not expected from them." (4) (1-4)
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राजोवाच ।
न जानामि महाभाग परं कर्मापविद्धधीः ।
ब्रूहि मे विमलं ज्ञानं येन मुच्येय कर्मभिः ॥ ५॥
गृहेषु कूटधर्मेषु पुत्रदारधनार्थधीः ।
न परं विन्दते मूढो भ्राम्यन् संसारवर्त्मसु ॥ ६॥
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The king (Prācinabarhi) replied : I know not the supreme good, O blessed one, my mind being distracted by (the thought of) rituals. (Therefore) pray, impart to me that pure wisdom whereby I may be freed from (the shackles of) Karma. (5)
Sticking to the life of a householder—where one performs actions prompted by interested motives—and regarding sons, wife and riches as the (only) object of human pursuit, an ignorant man fails to attain the highest good, and wanders in the path-ways leading to transmigration. (6) (5-6)
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नारद उवाच ।
भो भोः प्रजापते राजन् पशून् पश्य त्वयाध्वरे ।
संज्ञापिताञ्जीवसङ्घान् निर्घृणेन सहस्रशः ॥ ७॥
एते त्वां सम्प्रतीक्षन्ते स्मरन्तो वैशसं तव ।
सम्परेतमयःकूटैश्छिन्दन्त्युत्थितमन्यवः ॥ ८॥
अत्र ते कथयिष्येऽमुमितिहासं पुरातनम् ।
पुरञ्जनस्य चरितं निबोध गदतो मम ॥ ९॥
आसीत्पुरञ्जनो नाम राजा राजन् बृहच्छ्रवाः ।
तस्याविज्ञातनामाऽऽसीत्सखाविज्ञातचेष्टितः ॥ १०॥
सोऽन्वेषमाणः शरणं बभ्राम पृथिवीं प्रभुः ।
नानुरूपं यदाविन्ददभूत्स विमना इव ॥ ११॥
न साधु मेने ताः सर्वा भूतले यावतीः पुरः ।
कामान् कामयमानोऽसौ तस्य तस्योपपत्तये ॥ १२॥
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Nārada said : O ruler of men, O king, behold the multitudes of creatures slaughtered by you in thousands as animals for sacrifice, merciless that you are. (7)
Retaining the memory of your cruelty, they eagerly wait for you, their anger having been roused (by the recollection), and will tear you with their horns, made of steel, when you have departed to the other world. (8)
In this connection I will narrate to you the following old legend. Hear from me as I tell you the story of Purañjana. (9)
O king, there was a monarch of wide renown, Purañjana by name. He had a friend named Avijñāta (unknown), so-called because his activities were unknown. (10)
Searching for an abode, the king ranged over the (entire) globe. When (however) he did not find a suitable place, he felt dejected as it were. (11)
Seeking after pleasures, he rejected as many cities as there existed on the earth's surface, holding them unfit to yield such enjoyments. (12) (7-12)
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स एकदा हिमवतो दक्षिणेष्वथ सानुषु ।
ददर्श नवभिर्द्वार्भिः पुरं लक्षितलक्षणाम् ॥ १३॥
प्राकारोपवनाट्टालपरिखैरक्षतोरणैः ।
स्वर्णरौप्यायसैः शृङ्गैः सङ्कुलां सर्वतो गृहैः ॥ १४॥
नीलस्फटिकवैदूर्यमुक्तामरकतारुणैः ।
कॢप्तहर्म्यस्थलीं दीप्तां श्रिया भोगवतीमिव ॥ १५॥
सभाचत्वररथ्याभिराक्रीडायतनापणैः ।
चैत्यध्वजपताकाभिर्युक्तां विद्रुमवेदिभिः ॥ १६॥
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One day he saw on the southern ridges of the Himalayan range (in the land of Bhāratavarṣa) a city provided with nine gates and exhibiting all the marks (of a good city). (13)
Surrounded by a defensive wall, groves, watch-towers and moats, eye-holes and arched gateways, it was dense on all sides with houses having turrets of gold, silver and steel. (14)
The floor of its mansions being paved with sapphires, crystals, cat's-eye gems, pearls, emeralds and rubies, the city was radiant with splendour as Bhogavatī (the city of the Nāgas in the subterranean regions). (15)
It was provided with assembly halls, cross roads and highways, gambling-houses, bazaars and rest-houses, banners waving from flag-staffs and terraces built of coral. (16) (13-16)
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पुर्यास्तु बाह्योपवने दिव्यद्रुमलताकुले ।
नदद्विहङ्गालिकुलकोलाहलजलाशये ॥ १७॥
हिमनिर्झरविप्रुष्मत्कुसुमाकरवायुना ।
चलत्प्रवालविटपनलिनीतटसम्पदि ॥ १८॥
नानारण्यमृगव्रातैरनाबाधे मुनिव्रतैः ।
आहूतं मन्यते पान्थो यत्र कोकिलकूजितैः ॥ १९॥
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Now, there was a park in the outskirts of the city, which was full of celestial trees and creepers and spotted with lakes echoing the noise of warbling birds and humming bees. (17)
The margin of its lotus ponds was enriched with trees whose boughs and young leaves waved gently in the breeze blowing from flower-beds and charged with the spray from cool cascades. (18)
There was no molestation caused in that park by the various species of wild animals, that were (all) wedded to non-violence like hermits. The passer-by thought himself invited to that place by the notes of (its) cuckoos. (19) (17-19)
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यदृच्छयाऽऽगतां तत्र ददर्श प्रमदोत्तमाम् ।
भृत्यैर्दशभिरायान्तीमेकैकशतनायकैः ॥ २०॥
पञ्चशीर्षाहिना गुप्तां प्रतीहारेण सर्वतः ।
अन्वेषमाणामृषभमप्रौढां कामरूपिणीम् ॥ २१॥
सुनासां सुदतीं बालां सुकपोलां वराननाम् ।
समविन्यस्तकर्णाभ्यां बिभ्रतीं कुण्डलश्रियम् ॥ २२॥
पिशङ्गनीवीं सुश्रोणीं श्यामां कनकमेखलाम् ।
पद्भ्यां क्वणद्भ्यां चलतीं नूपुरैर्देवतामिव ॥ २३॥
स्तनौ व्यञ्जितकैशोरौ समवृत्तौ निरन्तरौ ।
वस्त्रान्तेन निगूहन्तीं व्रीडया गजगामिनीम् ॥ २४॥
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In that garden he beheld a most charming damsel—who had arrived (there) by chance—coming with ten attendants, each of whom was the spouse of a hundred wives. (20)
She was guarded on all sides by a five-hooded serpent, that was a bodyguard to her. Sixteen years of age and capable of assuming any form at will, she was out in quest of a husband. (21)
The girl had a shapely nose, beautiful teeth, lovely cheeks and a charming countenance, and bore in her symmetrical ears the splendour of (brilliant) ear-rings. (22)
Clad in a tawny skirt and adorned with a girdle of gold, that lady with well-formed hips and swarthy of complexion looked like a goddess as she walked with her feet making a tinkling sound by their anklets. (23)
Moving with the (stately) gait of an elephant, she covered (every now and then) with the end of her garment out of modesty her close-knit, symmetrical and spherical breasts, which bespoke the advent of youth. (24) (20-24)
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तामाह ललितं वीरः सव्रीडस्मितशोभनाम् ।
स्निग्धेनापाङ्गपुङ्खेन स्पृष्टः प्रेमोद्भ्रमद्भ्रुवा ॥ २५॥
का त्वं कञ्जपलाशाक्षि कस्यासीह कुतः सति ।
इमामुप पुरीं भीरु किं चिकीर्षसि शंस मे ॥ २६॥
क एतेऽनुपथा ये त एकादश महाभटाः ।
एता वा ललनाः सुभ्रु कोऽयं तेऽहिः पुरःसरः ॥ २७॥
त्वं ह्रीर्भवान्यस्यथवाग्रमा पतिं
विचिन्वती किं मुनिवद्रहो वने ।
त्वदङ्घ्रिकामाप्तसमस्तकामं
क्व पद्मकोशः पतितः कराग्रात् ॥ २८॥
नासां वरोर्वन्यतमा भुविस्पृक्
पुरीमिमां वीरवरेण साकम् ।
अर्हस्यलङ्कर्तुमदभ्रकर्मणा
लोकं परं श्रीरिव यज्ञपुंसा ॥ २९॥
यदेष मापाङ्गविखण्डितेन्द्रियं
सव्रीडभावस्मितविभ्रमद्भ्रुवा ।
त्वयोपसृष्टो भगवान् मनोभवः
प्रबाधतेऽथानुगृहाण शोभने ॥ ३०॥
त्वदाननं सुभ्रु सुतारलोचनं
व्यालम्बि नीलालकवृन्दसंवृतम् ।
उन्नीय मे दर्शय वल्गु वाचकं
यद्व्रीडया नाभिमुखं शुचिस्मिते ॥ ३१॥
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Pierced by (the arrow of) her affectionate sidelong glances, with the outer corner of her eyes serving as its shaft and her eyebrows, dancing for love, as the bow, the gallant youth (Purañjana) spoke in a winning tone to the girl, who looked (all the more) charming with her bashful smiles :—(25)
"Who are you, O pretty damsel with eyes resembling the petals of a lotus? Whose daughter are you and whence are you here, O noble girl? Tell me, O timid one, what you intend to do in the outskirts of this city. (26)
Who are these ten attendants of yours, led by that great warrior, who makes the eleventh? Again, who are these young women, O beautiful lady; and what about this serpent going before you? (27)
Are you Hri (the goddess presiding over the virtue of bashfulness) or Pārvatī (the divine Consort of Lord Śiva) or Vāk (the goddess presiding over speech) or Ramā (Goddess Lakṣmī) living in seclusion like a hermitess in this forest in search of your lord, who has (I am sure) realized all his ambitions by merely craving for your feet? (If you are none else than Goddess Ramā) where has the lotus bud (Your invariable companion and distinguishing mark) dropped from the tips of your fingers? (28)
(No,) you are none of these (aforesaid), O damsel with well-formed thighs, since you touch the ground (with your feet). (Therefore), be pleased to grace this city with myself, an eminent hero of extraordinary prowess, even as Śrī (the goddess of beauty and prosperity) adorns the transcendental realm (of Vaikuṇṭha) with (Her Consort) Lord Viṣṇu (the Soul of sacrifices). (29)
Instigated by you through (the movements of) your playful eyebrows conspiring with your bashful and loving smiles, the all-powerful Love is harassing me, whose mind has been distracted by your side-long glances ! Therefore, (pray,) show your grace to me, O beautiful one ! (30)
(Just) raise and show me your sweet-tongued countenance—with its charming eyebrows and eyes possessed of lovely pupils—which is screened by dark tresses hanging low, and not facing me through bashfulness, O damsel with bright smiles !" (31) (25-31)
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नारद उवाच ।
इत्थं पुरञ्जनं नारी याचमानमधीरवत् ।
अभ्यनन्दत तं वीरं हसन्ती वीरमोहिता ॥ ३२॥
न विदाम वयं सम्यक्कर्तारं पुरुषर्षभ ।
आत्मनश्च परस्यापि गोत्रं नाम च यत्कृतम् ॥ ३३॥
इहाद्य सन्तमात्मानं विदाम न ततः परम् ।
येनेयं निर्मिता वीर पुरी शरणमात्मनः ॥ ३४॥
एते सखायः सख्यो मे नरा नार्यश्च मानद ।
सुप्तायां मयि जागर्ति नागोऽयं पालयन् पुरीम् ॥ ३५॥
दिष्ट्याऽऽगतोऽसि भद्रं ते ग्राम्यान् कामानभीप्ससे ।
उद्वहिष्यामि तांस्तेऽहं स्वबन्धुभिररिन्दम ॥ ३६॥
इमां त्वमधितिष्ठस्व पुरीं नवमुखीं विभो ।
मयोपनीतान् गृह्णानः कामभोगान् शतं समाः ॥ ३७॥
कं नु त्वदन्यं रमये ह्यरतिज्ञमकोविदम् ।
असम्परायाभिमुखमश्वस्तनविदं पशुम् ॥ ३८॥
धर्मो ह्यत्रार्थकामौ च प्रजानन्दोऽमृतं यशः ।
लोका विशोका विरजा यान्न केवलिनो विदुः ॥ ३९॥
पितृदेवर्षिमर्त्यानां भूतानामात्मनश्च ह ।
क्षेम्यं वदन्ति शरणं भवेऽस्मिन् यद्गृहाश्रमः ॥ ४०॥
का नाम वीर विख्यातं वदान्यं प्रियदर्शनम् ।
न वृणीत प्रियं प्राप्तं मादृशी त्वादृशं पतिम् ॥ ४१॥
कस्या मनस्ते भुवि भोगिभोगयोः
स्त्रिया न सज्जेद्भुजयोर्महाभुज ।
योऽनाथवर्गाधिमलं घृणोद्धत-
स्मितावलोकेन चरत्यपोहितुम् ॥ ४२॥
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Nārada continued : Enamoured of the heroic Purañjana, who thus courted her like one who had lost one's patience, the girl smilingly greeted him (in the following words), O valiant monarch ! (32)
"We are not fully aware of our own progenitor, O ornament among men, nor do we know the progenitor of anyone else (yourself), who is responsible for the family name no less than for the name of the progeny. (33)
We only know our being present here today, (and) nothing beyond that. Nor do we know him who built this city for our abode, O brave one ! (34)
These men and women are my male and female companions, O courteous one! When I am asleep, this serpent keeps awake, guarding the city. (35)
Thank heaven, you have come; may all be well with you ! With the help of my kinsfolk I shall secure for you (all) the sensuous pleasures you long to obtain, O vanquisher of foes ! (36)
Occupy you this city with nine gates, O lord, enjoying for a hundred years the sensuous pleasures made available by me. (37)
Whom else save you should I delight—him who is ignorant of enjoyment, unwise, unmindful of the future life and heedless about his duty for the morrow—a mere brute? (38)
It is here (in the life of a householder) indeed that one attains religious merit, worldly riches and sense-gratification, the joy of having a son, the privilege of eating the leavings of a sacrifice (which confer immortality on the eater) and fame as well as worlds that are free from misery and sin (and are attainable through sacrifices), all of which are unknown to recluses. (39)
The wise declare the life of a householder as the asylum affording protection in this world to the manes, gods, Ṛṣis, human beings and other living beings, as well as to the householder himself. (40)
What woman of my category, O brave one, would not accept for her husband a renowned, generous, charming and beloved personality like you? (41)
What woman's mind on this earth would not cling to your arms, resembling the body of a serpent, O mighty-armed one? It is in order to wipe out the agony of helpless and forlorn (like me) with your smiling glances imbued with compassion that you move about (in this world)." (42) (32-42)
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नारद उवाच ।
इति तौ दम्पती तत्र समुद्य समयं मिथः ।
तां प्रविश्य पुरीं राजन् मुमुदाते शतं समाः ॥ ४३॥
उपगीयमानो ललितं तत्र तत्र च गायकैः ।
क्रीडन् परिवृतः स्त्रीभिर्ह्रदिनीमाविशच्छुचौ ॥ ४४॥
सप्तोपरि कृता द्वारः पुरस्तस्यास्तु द्वे अधः ।
पृथग्विषयगत्यर्थं तस्यां यः कश्चनेश्वरः ॥ ४५॥
पञ्चद्वारस्तु पौरस्त्या दक्षिणैका तथोत्तरा ।
पश्चिमे द्वे अमूषां ते नामानि नृप वर्णये ॥ ४६॥
खद्योऽऽताविर्मुखी च प्राग्द्वारावेकत्र निर्मिते ।
विभ्राजितं जनपदं याति ताभ्यां द्युमत्सखः ॥ ४७॥
नलिनी नालिनी च प्राग्द्वारावेकत्र निर्मिते ।
अवधूतसखस्ताभ्यां विषयं याति सौरभम् ॥ ४८॥
मुख्या नाम पुरस्ताद्द्वास्तयाऽऽपणबहूदनौ ।
विषयौ याति पुरराड्रसज्ञविपणान्वितः ॥ ४९॥
पितृहूर्नृप पुर्या द्वार्दक्षिणेन पुरञ्जनः ।
राष्ट्रं दक्षिणपञ्चालं याति श्रुतधरान्वितः ॥ ५०॥
देवहूर्नाम पुर्या द्वा उत्तरेण पुरञ्जनः ।
राष्ट्रमुत्तरपञ्चालं याति श्रुतधरान्वितः ॥ ५१॥
आसुरी नाम पश्चाद्द्वास्तया याति पुरञ्जनः ।
ग्रामकं नाम विषयं दुर्मदेन समन्वितः ॥ ५२॥
निरृतिर्नाम पश्चाद्द्वास्तया याति पुरञ्जनः ।
वैशसं नाम विषयं लुब्धकेन समन्वितः ॥ ५३॥
अन्धावमीषां पौराणां निर्वाक्पेशस्कृतावुभौ ।
अक्षण्वतामधिपतिस्ताभ्यां याति करोति च ॥ ५४॥
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Nārada went on : Having thus signified on that spot their mutual agreement, the couple entered that city and rejoiced (there) for a hundred years. (43)
Glorified everywhere in a sweet voice by panegyrists, Purañjana sported in the midst of damsels and entered a river during the hot weather (to refresh himself). (44)
For the passage of whosoever was the ruler in the city to other territories seven (out of the nine) gates of that city had been constructed in the upper (elevated) part, and two in the lower. (45)
(Again) five (of these) entrances opened towards the east, one towards the south, another towards the north and (the lower) two faced the west, I mention their names (to you,) O king ! (46)
Two of the eastern gates, Khadyotā and Āvirmukhī (by name), had been built at the same place. Accompanied by (his friend) Dyumān, Purañjana travelled to the land of Vibhrajita through these two (entrances). (47)
Two more portals in the east, Nalinī and Nālinī (by name) had (also) been constructed abjacently. Accompanied by (another friend) Avadhūta, he sallied forth by them to the territory of Saurabha. (48)
The fifth entrance, facing the east, was called Mukhyā. Accompanied by (his two other friends) Rasajña and Vipaṇa, the ruler of the city went by this to the lands of Āpaṇa and Bahūdana. (49)
Pītrhū was (the name of) the gate in the south of the city. Accompanied (by his friend) Śrutadhara, Purañjana went (thereby) to the kingdom of south of Pañcāla. (50)
The entrance in the north of the city was called by the name of Devahū. Accompanied by (the same) Śrutadhara, Purañjana went (by this) to the dominion of north Pañcāla. (51)
Āsuri was the name of the gate on the west. Accompanied by (his friend) Durmada, Purañjana proceeded by that to the territory of Grāmaka. (52)
The (other) entrance on the west was called Nirṛti. Accompanied by (his friend) Lubdhaka, Purañjana moved (by that) to the country known by the name of Vaiśasa. (53)
Two of the city gates, Nirvāk and Peśaskṛt (by name), led to blind alleys. The lord of those endowed with vision, Purañjana went about and did (everything) with the help of these two. (54) (43-54)
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स यर्ह्यन्तःपुरगतो विषूचीनसमन्वितः ।
मोहं प्रसादं हर्षं वा याति जायात्मजोद्भवम् ॥ ५५॥
एवं कर्मसु संसक्तः कामात्मा वञ्चितोऽबुधः ।
महिषी यद्यदीहेत तत्तदेवान्ववर्तत ॥ ५६॥
क्वचित्पिबन्त्यां पिबति मदिरां मदविह्वलः ।
अश्नन्त्यां क्वचिदश्नाति जक्षत्यां सह जक्षिति ॥ ५७॥
क्वचिद्गायति गायन्त्यां रुदत्यां रुदति क्वचित् ।
क्वचिद्धसन्त्यां हसति जल्पन्त्यामनु जल्पति ॥ ५८॥
क्वचिद्धावति धावन्त्यां तिष्ठन्त्यामनु तिष्ठति ।
अनु शेते शयानायामन्वास्ते क्वचिदासतीम् ॥ ५९॥
क्वचिच्छृणोति शृण्वन्त्यां पश्यन्त्यामनु पश्यति ।
क्वचिज्जिघ्रति जिघ्रन्त्यां स्पृशन्त्यां स्पृशति क्वचित् ॥ ६०॥
क्वचिच्च शोचतीं जायामनु शोचति दीनवत् ।
अनु हृष्यति हृष्यन्त्यां मुदितामनु मोदते ॥ ६१॥
विप्रलब्धो महिष्यैवं सर्वप्रकृतिवञ्चितः ।
नेच्छन्ननुकरोत्यज्ञः क्लैब्यात्क्रीडामृगो यथा ॥ ६२॥
इति श्रीमद्भागवते महापुराणे पारमहंस्यां संहितायां
चतुर्थस्कन्धे पुरञ्जनोपाख्याने पञ्चविंशोऽध्यायः ॥ २५॥
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Whenever he went to the gynaecium, accompanied by Viṣūcīna (the principal waiter in the gynaecium), he gave way to infatuation, complacency and joy induced by (the presence of) his wife and children. (55)
Thus deeply attached to action and beguiled (by his wife), the foolish king (Purañjana), whose mind was given over to sense-gratification, did exactly what the queen did. (56)
Now, on her drinking wine, he too drank wine and was overcome with intoxication; and now, on her dining, he (too) took his dinner and on her proceeding to eat something crisp, he too ate it along with her. (57)
Sometimes, when she sang, he (too) sang and on other occasions, when she wept, he (too) wept. Again, on her laughing, he (too) laughed and, on her prattling, he too prattled like her. (58)
Now, when she ran, he (too) ran; (and) on her standing, he (too) likewise remained standing. On her going to bed he (too) similarly went to bed and now, on her sitting down, he (too) likewise sat down. (59)
Sometimes, when she listened, he (too) listened and, on her seeing (something), he too saw the same thing. Again, on her proceeding to smell (something), he (too) smelt it and on some occasions, when she touched (anything), he (too) touched it. (60)
Now, when his wife appeared sorrowful, he (too) became sorrowful after her like one afflicted. On her rejoicing he too similarly rejoiced and on her feeling happy he too (likewise) felt happy. (61)
Thus deluded by the queen and having completely lost his nature, the foolish king (Purañjana) helplessly and involuntarily imitated (the doings of) his wife like a monkey kept for amusement. (62)
Thus ends the twenty-fifth discourse forming part of the parable of Purañjana, in Book Four of the great and glorious Bhāgavata-Purāṇa, otherwise known as the Paramahārṣa-Sarhhitā. (55-62)
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